The Elephants Child

The Same Question - Lady Gaga / Nicki Minaj "feel pre-judged"

2009-09-06T15:19:00.007-04:00

Nicki's getting signed, Gaga's dealing with crazy rumors and I'm really struck by these two women, younger than me and forced to answer these questions regarding their work & their bodies...

Gaga (starts at :50) - Calls the interviewer out on his "concerns" about how her sexuality 'distracts/detracts/etc' arent concerns (ie shes already made it) for her but concerns that she *should* be worried about her loose image. makes a point about whose work is considered 'sexual' and whose isnt.
Backpeddling, she then goes on to distance herself from feminism, b/c she 'loves men' and has a nostagic view of americana masculinity.

Nicki - Prods him about his question, like what are you really asking me? Lets talk about my MUSIC, thnx. She sadly makes some comments about 'sluts not being on her team' as if this guy has any right to judge her/any girls sex life, but is trying to hit him back that you cant assume shes easy or whatever b/c of how she dresses.

Maybe theyre not saying everything I want them to be saying, but damn. Its hard, these girls trying to navigate their image when guys can flood the video wih writhing women, but the second a girl who looks like that steps out of the background and grabs the mike THEN its somehow sexual. Like, what does that say about how we see video girls, let alone female musicians?

Still I rise / Still I fight / Still I might crack a smile / Keep my eyes on the prize / see my haters tell 'em HI! / One day you'll remember this / One day when we reminisce / Nothing I do ever is, good enough for the music biz

ghettopolitique

2009-08-26T16:58:00.008-04:00

A while back I posted about ghettoradio, an ngo who make mini documentaries on "ghetto culture" and host radio in different parts of Africa. They have a new piece called "The Ivory Tower vs. The Streets". Its a few interviews of mostly nairobi students about what it means to have a hiphop academia, their opinions of researchers, what research might look like, who can talk for hiphop, how involved do you have to be to write about a culture.

Again, I'm not a fan of the title and some of the assumptions in how its framed, and I still think 'ghetto' is a pretty poor description of urban africa or african hiphop - not only because it can be offensive but because of its limited applicability. That said, its def interesting and everyones making cool points. It also makes me stoked to visit fam there soon, any ideas on whats up around Nairobi or midwestern Kenya let me know. All three parts are below.

--------------------------------------------

I also recently emailed folks @ Nomadic Wax about their new Democracy in Burundi mixtape. "The concept for the ‘Democracy in Burundi’ was born after journalist-turned-politician, Alexis Sinduhije, was illegally incarcerated in November 2008. In response, emcees from Nomadic Wax have collaborated with presidential hopeful Sinduhije’s political party, the Movement for Solidarity and Democracy (MSD), to present this mixtape."

Previously, they profiled hiphops influence in senegalese politics suggesting hiphop was a tool to demand / organize greater accountibility from Wade. This time, they are actively promoting a politician, which I was curious about:

what is the point of this mixtape? ... Do funds given to nomadic wax help suppport alexis financially? Is his mixtape something that will be spread around in burundi, actually used as part of his campaign?

Initially, the mixtape project was focused on gathering interest and focus on Alexis' imprisonment and the elections in Burundi. In addition, through using different rappers from across the continent, it was an effort to get youth (who make up large percentages of the population in most african countries) interested and involved, across border lines.

The project, as it moved forward, worked in helping achieve the first goal. Alexis was released. Since then, it has become a good tool for gathering both local and international interest in his campaign. No other campaigns have pan-african hip hop mixtapes in their campaign arsenal/toolkit. ... We translated the press release into swahili, french, and kirundi and those materials have been used on the ground in Burundi by the campaign (some thing we at nomadic wax aren't involved in).
As the mixtape is a free download, no money has been made off of it or will be made off of it. None of the artists were paid- they donated their time to the cause, as did the music producers, and the graphic designers, and the translators.

<a href="http://nomadicwax.bandcamp.com/track/democracy-in-burundi-mixtape">Democracy in Burundi Mixtape by Nomadic Wax</a>

I don't really know enough about Burundi to comment on this. Kinda weird, but Nomadic Wax seem like good peoplez.

------------------

For lovers of floral prints, race/gender examinations and nyc art, youre in luck. Kehinde Wiley has a show 'Black Light' sept 3-26 @ grand street - check out the slideshow here. Yinka Shonibare's show just moved to Newark <3.

c deuxième gaou ki est niata ohhahh

2009-08-20T23:22:00.011-04:00

This is my fav track from a mix picked up in lil senegal, in the porn/luggage selling place across from africa kine. Its a little old school sounding, afrobeat meets zouglou with badass lyrics. I always thought it was interesting that Magic System considered themselves zouglou, despite being the biggest group involved in the popularization of Coupe-Decale. Their older work is clearly zouglou, tho it often blends, zouglou less choppy/dancey on the more lyrically driven side of things.

Magic System - Premiere Gaou

musings on place/space:

Magic System - Un Gaou a Paris

Yode et Siro - Quel est mon pays?

What do you thinkkkkk / Trolls & Baiting

2009-08-20T13:37:00.012-04:00

blah, Im trying to hash a lot of things out here. As much as 'ghettotech' grows on me as a scene, it certainly involves a lot of reckoning, doesnt it?

I want to avoid a common attack theme tho, which often raise issues as 'gotcha' moments proving the supposed huge racism/sexism of those spoiled hipster kids.[here,here,etc] Hipster audiences might have complicated and jarring relations and our fair share of delusional bigots, but I'm not convinced its so much more complicated and fraught than race relations in America as a whole. It also ignores the mixed backgrounds, huges #s of PoCs, women amoung them.

Mad Decent in particular seem especially prone to this attack, in part becuase they seem most inclined to be pressing buttons and putting out outragous marketing. (and :.?) they are also the biggest and thus attract the most conversation/heat. Them & Radioclit certainly jar me the most.

I think there is certainly a difference between something snarky / cheeky / hitorical / self-referencial like these:

which highlight ideas of orientalism and audience and seem to draw the conversation out vs. take it to this level:

Which seems, at least to me & please tell me how you all feel, as just offensive, the only sort of convo i see coming out of it would be some old ish on 'irony'.

Mad Decents recentish post here shows they certainly feeling some hate. 'Pon the Floor's youtube has tons of comments, mostly in the range of - cool / WTF / disturbing / LOL / ugly bitches / crazy / gross / awesome. Confuzed people wondering : a joke? a parody of islanders? 'setting us back'? AIDS/Nggr comments!? One of those vids that attracts the worst of the internet..

I'm sort of surprised 'Pon de Floor' got it more than 'Hold the Line', in which 2 whitey + jewish guy make a vid of a macho black dude fighting vampires, having babes around his throne & saving them from switchbladed fat darker girl, inna space. All this makes me uncomfortable! and I'm certainly not the only one:

Comments @ Vimeo + Youtube
Comments @ TheFader
Comments @ Couch Sessions
GrandGood
Hipster Runofff
Passion of the Weiss
Cracked.com Messageboards
ETZZZZZ

I wanna try to link to as many convos on this as possible, feel free to add any...

A comment at mad decent states:

mad decent, you’ve played me for a fool. I followed the buzz for over a year now. downloaded the leaks. went to the shows. I bought the album with real cash money. I preordered that shit and hyped it just like I hyped every mix with diplo’s name on it since I first heard AEIOU, relaxed to Florida, and played the annie mac and essential mixes out.

My only question now: is the white vampire character our latest example of familiar and played hipster irony, or simply autobiography?

all this major lazer / racism talk distracts us from the misogyny of your project / record label / white boyz club.

yes, diplo, switch, et al. are carnivorous cultural tourists.

yes, major lazer is a perverse retro-futurist blackface project.

yes, ‘Pon De Floor’ video makes a all-too cartoonish and historically-entrenched spectacle of black sexuality and reproductive parts.

But are we surprised?

diplo, switch, et al. have made y’alls careers exploiting the creativity and musical genius of brown and black women (and children).

And the diplo jock-riders at fader and pitchfork have been too busy praising white male deejays while muting the sweat and brilliance of the brown and black women at the mike.

(Please revisit M.I.A.’s interview before Kala dropped.)

Face it, mad decent, you wouldn’t be shit if it weren’t for the sweat and talent of black and brown women. And how do you thank these females that made you so dope?

You shove camera up their skirts in Rio and call it a Documentary-on-Blast.

You plaster images of bare-breasted black women to promote your ‘Mid-Summer Bash’ a couple of weeks ago.

And you mask a blackface project behind anonymous black hype men and rump-shaking teenagers. Hipster gods diplo and switch lay in the cut at shows in three-piece suits like cowards, hiding behind homoerotic [?] cartoons of a muscular black Jamaican minstrel they spent their careers impersonating.

And now hipster gods diplo and switch are mum and out of sight, anonymous behind the pussy lips on an unsigned video that doesn’t even credit vbyz kartel. But why would he want his name on that garbage anyway? diplo and switch obviously don’t.

Forget the nonsense questioning whether it would be okay for a black or West Indian man to make this garbage. Black male artists have been catching hell for years, and rightfully so, for their misogyny. Ask Tricia Rose. Ask Patricia Hill Collins. Its also an insult to the West Indian dancehall culture you are trying to ‘spread,’ ‘praise,’ appropriate, digest, and regurgitate to say that it is essentially misogynist, authentically exploitative of women, women’s labor, and women’s bodies. And even if it were: this is your album, and it doesn’t belong to an amorphous foreign, exotic, and fictional ‘culture.’

Own your shit, mad decent. Take responsibility for your product.

I agree with some, certainly not all of the sentiment there. Its interesting b/c it seems exactly like the sort of comment they were aiming to get on that post. Esp when they post nonsense like this, proudly attaching this video.

Its as if
a. they really believe they are somehow responsible for crazy dancehall videos shown on TV.
b. its a good thing that a clearly creepy 'look at this shocking behavior' video is representing daggering & "our main dude Skeritt Boy" throws a large table at some young woman. Like they see themselves as heroes in some grand controversy.

And thats where i get frustrated. Because it seems like 'trying to stir up controversy' clouds out 'trying to stir up a conversation'.

(iridescent lilac)

2009-08-09T02:10:00.006-04:00

I was shopping for nailpolish online @ sephora at 2am (shut up) when I came across THIS product labeling.

This made my brain a little explody:

* Its crazy how much sense the colors make. Of course reggaeton is copper, bellydancing a plummier purple while discos a bit brighter. Of course hip-hop is electric hot pink (what other color would it be?), tecktonik is a day-glowier hip lighter pink shade. Of course zouk is cloudless sky tropical aqua, pop is shiny tangerine. Genres as aesthetics, brands, easily recognizable, lifestyles, the tribes we fall into, with even our own entire color schemes.

* Sephora is hipper than I thought or Nuwhirled is hipper than I thought. Actually, Sephora is French, so its a color palatte of whats maybe cool to listen to in Paris? Granted theres no like, cumbia colored nail polish, but still. I'm curious if this is exactly aimed at hipsterish girl fucks like me who get a kick out of zouk nail polish or diaspora chicas. Whose $$ talks?

* Errr, I actually like the colors of the genres of music I like more. My favorite colors are not just my favorite colors, but the product of some giant marketing scheme aimed exactly at me and my assumed intrests and experiences. Geez, I had no idea i was that obvious.

Butts and Accordians

2009-08-07T08:31:00.005-04:00

I'm happy to see funana filtering onto everyones radars, it almost makes up for your non-zouk loving-ness, you heartless souls. Funana featured recently on Uproot Andy's new mix and got a full out assortment by Radioclit. It makes sense, as cumbia surprised me in its popularity, introducing err 'folkier' sounds to a fast beat loving scene. So funana with its hyper accordians seems a natural "new genre" to embrace, opened up as well by new connections made to the lusosphere with funana's popularity in Angola & Senegal.

Whats cool is that the hipster pattern is moving pretty much in line with diaspora intrests. At least in the francophone world bloggery, ive seen increasing intrest and mention of funana, from messageboards to kaysha. My guess This is due as well to lusosphere love and kuduru crossing borders, but probably more so from its proximity in sound and dance to zouks enourmous global popularity.

It all begins to feel full circle, as funana looks and feels like one of the folkier genres embraced so far. Of course, our understanding of folk should have been one of the ways we imagine these genres, as wayne raises so elequently here. What is global ghettotech is also folk music, although its bleeps and beats distracted me. I certainly don't know enough about funk carioca to make a point there. I'm not sure how it applies to my understanding of zouk or coupe-decale, genres so multi-country and globally consumed I'm less inclined to see it as folk, although I'm sure one could make an argument. I'm curious if i'm more inclined to see local-er genres like funana or mbalax as folk b/c of how they sound and feel to me vs. how they function.

So full circles. What seemed to me a grab for globalized tech as hipsters got bored of freakfolk, or white-ish underground rap, or whatever y'all listened to, seems more nuanced, like ears are bigger now after hipster mad global dashes. from freak folk to freak folk. cept this time its happier. cuz its the recession. and we need butts and accordians.

ps. can we discuss packaging like this at some point?

#AfricaistheFuture (sortof)

2009-07-31T10:04:00.015-04:00

While the RIAAssholes CHOP Joels dollar, I'm curious how it relates to changing production in the global south. It brings up a few things. To look at, say, the nigerian music industry or other markets where its nearly impossible to find non bootleg material its just as easy to think 'wow, sweet' as much as 'what a mess, why would we want that?'

Back when I originally started this post in Dec, Le Qoutidien had recently reported that according David Diadhiou, cheif of operations of BSDA (the copyright office of senegal) the year 2002 sold over a million cassetes, but as of july last year they havent passed 92,000. Apparently its affecting everyone, rappers, acoustic artists, mbalax, except for the sales of religious music(!interesting).As Birame Faye snarkily puts it in the article:

personne ne peut se glorifier d’une distribution enviable de cassettes durant cette année ... Cependant, la musique religieuse se vend bien maintenant, constate M. Diadhiou, surtout à l’approche des grands évènements religieux. Apparemment, Doudou Kéné Mbaye et Cie font la pluie et le beau temps.
IE : Nobody can boast enviable distribution of cassettes this year ... However, religious music is currently selling well, states Mr. Diadhiou, especially with the approach of the religious holidays. Apparently, Doudou Kéné Mbaye and Co create the rain and good weather.

The thing is though, that while many of these industies operate in copywrite free zones, labels and media companies may be hurt in some areas, but do not seem to be totally irrelevent. And as much as the RIAA and co. would like us to think that copyright is whats keeping the world from breaking apart, people everywhere are continuing to make awesomness on huge scales. Yes, huges swaths of artists are bypassing labels. Many get popular & create their own - sushiraw, etc. If corporations want to get some ideas on $$$, they should call up the people who are somehow making it in these generally copy-free regions.

Ask dem @ channel O, MTV africa,HYPERTEK Entertainment [naija],storm records / media [naija],Sushiraw Entertainment,ogapadeejays [ken,nam],lynx entertainment [ghana], Bongo records [Tan], bang entretenimento [Moz], ZORBAM PRODUXIONS [gabon], and Colossal Entertainment [naija], who say this about themselves:

Perhaps the label is the first to have succeeded on the national scene on the scale they have after starting with distributing music via the Bluetooth of phones and other electronic media. “I recall, about two years ago when we started moving round the country to promote Asem, Richie and OJ, when Richie said Papa Richie we are so big on the internet” – Richmond Adu-Poku. Till date they may draw a lot more numbers on the net than any other label in Ghana."

When looking at that list, some thoughts. As the middleclass grow in many african cities, at the same time that production methods become cheaper and more accesable, theres a middle ground being met and the result is a better produced, more attractive and assesible product. Theres still a lot of profit to be made in terms of upping production and branding & all that stuff labels/mediamasters do. B/c as Kelefa Sannah says "To obsess over old-fashioned stand-alone geniuses is to forget that lots of the most memorable music is created despite multimillion-dollar deals and spur-of-the-moment collaborations and murky commercial forces. In fact, a lot of great music is created because of those things."

I dont think songs as shared things means direct artist/fan connect. Doesnt it make that murkier, more radio/ tv/ sponsorship/ merch/ nightclub/ touring, etc politique? The messes that music comes out of will never be purely artist/fan or whatever myth we want our music to embody, including post-scarcity futures. And thats OK!

////++++++++++////

Museke, despite being down frequently, is one of the best sites out there for this sort of info. Maybe even accidentaly. They use the same format on a lot of interviews & one of Museke's stock questions is "What challenges do you face in the music industry (piracy, payola (paying deejays to play music), etc)?" B/c Museke interviews such a wide cast, you get a good cataloge of responses to the piracy question. On the one hand, MANY artists feel piracy really hurts them, others have more nuanced responses:

Museke.com: What challenges do you face in the music industry (piracy, payola (paying deejays to play music), etc)?

Toniks: Piracy is the biggest scourge so far.
+
BLINKY: The music industry is growing and that has to be applauded, but there’s a need for technical expertise particularly with regards to live sound, and sound engineering in the studio, in order to attract a lot more international concerts to Kenya. Distribution is also an area that could be improved, because not many urban artists have access to rural markets - regardless of whether they can or cannot buy the music - theoretically that’s an untapped market.

JIM: Things like piracy are a challenge for any musician in any country, so I take them as a given.
+
Mokobe: I was born in France so I am used to the life here. Now I have the possibility to travel more often to Africa for shows but also collaborations. It’s a must to have a distributor for your album to come out in Africa so we are working on that. But “Mon Afrique” came out in Mali but it was a tape format as to suit the market.
+
Lira: Piracy, the decline of CD sales. But most of all I think we don’t sell as much as we can because our CD’s are pricey and if you make it reasonable for every South African to enjoy then the people also think it’s cheap music so it becomes tricky. My music heals as much as it brings joy and I’d like it to reach many people. I believe that’s why we moved over 120 000 digital singles... Which is also due to it’s affordability. Here we often have to do things innovatively because we can’t rely on sales to ensure our existence... But I quite enjoy the process of thinking outside the box and creating new things to sustain my career. I love what I do!
+
STL: ...About piracy, I think if an artist has the right music and it’s available at the right price then fans will see no need to pirate.
+
Cindy: I hate it. It’s theft and all the criminals should be jailed.
+
K-Lyinn: The biggest challenge is piracy and unfortunately I do not see an easy way to change that since it’s not only a problem in Tanzania and even in developed countries, artists are facing the same problem. Another challenge here is that the music industry is very young and there is a lack of proper music schools, managers, promoters, studios with advanced recording equipment and people haven’t really started to invest in the industry which could help us artists promote our music, make better quality records and in the end earn decent living out of music.
+

And, of course, Kaysha:

Museke: What kind of music do you do?
Kaysha: Candyzouk, afro electro, metisse musique
Museke: How is your label Sushiraw doing and which artistes are under the label?
Kaysha: The label is doing good, we are already in the digital age with loads of remixes and projects will only be online at kaysha.com and itunes and all the other stores...
In the roster, we have Elizio, Abege, Isah, Soumia, Loony Johnson, Thayna, Shana, Kaysha, Mika Mendes and more thru connections with other labels and cross projects and actively looking for artists around the globe.
Museke: Have you had problems distributing your music to various places in the world?
Kaysha: Yeah, lots of problems... It's very hard to meet serious people around the world. Most of the times, a good discussion never go further...
The good thing is that as more and more people enter the digital age, the physical barrier is fading away so when the whole African continent get access to a method of buying your songs either thru iTunes or a store alike or their mobile phones, this wont be a problem anymore...
I sell a lot of songs in the US using the internet... Technology breaks barriers
Museke: What challenges do you face in the Congolese music industry?
Kaysha: I don't face any challenges because I'm not really part of this industry like Fally or Werra would be. I'm part of another industry which is the international afro carribean scene... So this question is irrelevant to me :)
Museke: What is your take on piracy and payola (paying deejays to play your music on the radio)?
Kaysha: Payola will always be there because humans fail by definition and emotion... Piracy is the same thing. Some people will always think that others people hard work should be theirs for free. And with internet, it's like a magical tube where you can get anyone's work for free and no one will punish you since everybody is crying for their right for privacy and liberty when people try to set rules... There is a vast
hypocrisy... In the other hand, the same global piracy is what made me the african icon that I am today because no one bought my songs but since they all have it, I'm touring all over the world... So I can't complain...

Pretty jangly chimey bits

2009-07-23T12:06:00.006-04:00

"Something about the twining chimes of soukous guitar calls out “summer.” Maybe it’s the resemblance to the Dominican Bachata omnipresent in the Brooklyn bodegas where I grab dewy Presidentes, maybe it’s an exoticized image of steamy Zaire, but regardless, there is something that makes the sweet sound perfectly apt." via soulsummer

word. My brain references it the same. Everytime i'd be walking in the DR and hear sweet bachata, my head would go 'awww soukous'

lovely!

--------------------------------------------------

Was scoping this out @ XLR8R:

It’s strange to call a room inside a Swedish expat’s London flat a “nexus of pan-African dance music,” but that’s precisely what Johan Carlberg’s home studio becomes in the presence of production partner Etienne Tron. As Radioclit, the duo merges elements of South African kwaito, Angolan kuduro, and coupé-décalé from the Ivory Coast—plus Caribbean dancehall and soca, among other diasporic styles—into their own distinctive electro-tropical sound.

The italics usage was weirding me with its old world / new world & east/west break down.

We use italics (characters set in type that slants to the right) and underlining to distinguish certain words from others within the text. ... If a word or phrase has become so widely used and understood that it has become part of the English language — such as the French "bon voyage" or the abbreviation for the latin et cetera, "etc." — we would not italicize it. Often this becomes a matter of private judgment and context. For instance, whether you italicize the Italian sotto voce depends largely on your audience and your subject matter.

It makes sense, but its interesting. When did soca become soca or dancehall dancehall. audiences..

Zoos

2009-07-21T13:32:00.010-04:00

ie : We all got digital cameras baby / AWKWARD symbiotic relations

The UN soldiers in my area of Haiti were Pakistani/Jordinian, and they got a big kick out of photographing me or other young white women as we walked around downtown.

Me and fellow NGO types in my area were from the US or France, and we got a big kick out of photographing middle eastern soldiers with their guns and armored vehicles around town.

Somewhere in Pakistan, these photos have a mate. Lets fetish / tourist eachother.

Haitian Music / Sasha Frere Jones / overusing /////////s

2009-07-13T22:38:00.015-04:00

I was exited to see an article on Haitian music, a round table discussion posted by Sasha Frere Jones, a music critic I usually like. It all began with this piece @ the nytimes by author Madison Smartt Bell. He just finished a book on Toussaint, and the conversation revolves around this idea of Haitian music and revolution.

I can see why SFJ posted it. Honestly, some of it is pretty sweet, like tracking the influence of Haitian music in specificish ways to dancehall and reggaeton, etc. At Haitian independence 60% of Haitians were born in west Africa, and it seems plausible they were one of the stronger forces in keeping hybrid bits of aesthetics and rhythms from motherland to diaspora thru New Orleans & helping create Carib musics. But I wish the discussion would stick to facts and not their dreamy notions b/c it all starts to sound a bit iffy. Esp wrt contemporary music.

Bell in particular has a pretty wack idea of Haitian Music, describing compas as "Haiti’s good-time music, preferred by the Duvalier regime and served, limitlessly, to tourists." Excuse me. Maybe if you mean compas, Haiti's national pop music, the most popular form of Haitian music for the past ~40 yrs through every coup and regime change including (gasp) Aristide and less popular among tourists than the racines music he <3 s along with those 'cultural excursions' to voudou ceremonies. Maybe he thinks its tourist music b/c its played at every bar/club/resto 24/7. Guess what? Its not for you.

Rara is super alive, probably bigger than what they are suggesting here. But I think the way Haitians use traditional music in popular music is much more nuanced, filtering into compas break downs or hiphop, etc than the overrated folk-rock of mizik rasin. Mizik rasin seems pretty restricted to a certain population in Port-au-Prince, or more specifically, a single band at a single hotel in Port-au-
Prince. Having spent a little bit more than Easter "in Haiti with my family ... in the middle of rara season, and we spent a week in Jacmel with friends." I guess im also an expert, whos qualified to say: whats going onnn here?

"What does revolution sound like? This begs for a long answer, but consider this shortcut: Bob Marley and, with apologies to Carl Wilson, not Celine Dion ... What, then, does that signal moment in the past—the Haitian revolution—sound like in the funky potpourri of rhythms that is contemporary Haitian music? " (Answer? "They tie their messages of resistance to catchy riffs and vibrant rhythms, producing ambidextrous music that presses the consciousness while shaking the hips and feet. .... Their songs infused with the memory of the revolution .." blah blah blah)

Really?

I didn't really get the impression that Haitian music is more 'revolutionary' than music in any other country. The revolution was a pretty long time ago and while Haitians are, by nature of recent history pretty politically aware, most of the young Haitians I know are not interested in revolutionary protest. That sort of thing is tied to the memory of chimères, and my peers are much more into chillin to pop (& trying to find jobs out of college w/ a 60% unemployment rate, to create 'the system' not fight it). Not that it never turns up, but i certainly wouldn't call it a defining feature.

Want to know somebody who's bigger than RAM and Bob Marley in Haiti?

Celine Dion

I dig how strong French chanson pop is in Haiti. Garrou, Dion, Francois, etc are affecting the sounds of compas, and zouk, and filtering out sounds across the world in really interesting ways. I also think Haiti is an interesting music spot b/c except for a few exceptions (above) its such a non-potpourri. Haiti has been so isolated from its neighbors, linguistically, and quite deliberately economically and politically from its Anglo / Hispanic / no-longer-in-the western-hemisphere-b/c-of-you french neighbors who were terrified of catching a similar revolt / created sanctions protesting its various 20th century regimes. Haiti has, for much of its history, been mostly unable to participate in the same musical trades as the rest of the carribean. Other musics seem to enter, but unable to pass out of its borders. Which makes Haitian music a very distinctive take on carib music / useful case study / counterpoint to global world musical flows/travels.

For a discussion so interested in African music's influence on Haitian music, im surprised they didn't mention the new ways Africa shows up everywhere. While an original source of people/culture, Haiti was cut off for over a hundred years from African culture. Now global circulation means bootleg soukous compilations show up everywhere alongside English language ghana/nollywood films. Friends hear magic system on local radio and tell me its a Haitian group, Haitian melodramas draw from nollywood and are marketed and sold together, the girls in the school across the street were putting on a production of African Queen. Haitians prefer African reggae artists like Tiken Jah Fakoly & Lucky Dube to Marley. So the way these 'roots' manifest themselves, affect the 'whirl', again, are much more nuanced than this discussion really gets at, and its disappointing.

Ghettotech - Ghetto ?? + stuff showing up placessss

2009-07-03T19:18:00.006-04:00

I tend to agree with one of Johan's points here about ghettotech. While democratization of digital technologies helped produce ghettotech, it means that its going to be looking less and less 'ghetto'. Not in where it comes from, but what it looks/sounds like.

There's huge differences recently, some stylistic changes which favors a cleaner sounds, as well as tech/production changes. There tons of examples, but i admit my new interest in Namibia's music industry which seems to have blossomed crazy in the past few years, with flashy new video..

Lady May won best dance video for that song, its a really fun video. also this!

Namibia produces a lot of artists/sounds, and its rising to join ghana, nigeria, senegal, kenya, S.A., etc as a strong african music industry. I'm a huge fan of Tate Buti, who calls his genre Kwiku, "a music put together by Tate Buti and his producer Pedrito between 2000 and 2003. The two mixed traditional-oshiwambo dance music, known as shambo, with Western-Africa's sounds of Kwassa kwassa, to create a quick ovambo music." I hear kwaito in the mix too flowing up from South Africa.

!!!!!!

------

+

These are old videos, so i dont know what happened to this uzbek reggaeton group, but it might explain why its showing up in uigher music.

Its not subtle at all, notice the PR shirts they're flaunting @ :37

------

i missed this. I guess Olu doesn't shy from the controversy.

Wondering about connects.. the little lamp looks like the RaiNB symbol, which involves actual connect between N & S Africans, all the silly magic lamps and camels associated with that packaging vs this which seems similarly/ yet differently fetishwise & maybe says something.. tons of nolly stars are lebanese mixes, i dunno.. the song makes no attempt to sound arab.

hold up

2009-06-18T17:49:00.004-04:00

I just saw Dj L-Vis 1990's new video on Mad Decent. In the video he used basically unedited footage of the popular congolese dance videos by the Soukous Vibration Dancers.

from:

Generally, i dont have a problem with mixing dance videos. Theres a huge number of videos like this on youtube, often producing interesting results. But If youre a professional musician, and you release that as yr official music video, and you have a "growing career as a freelance video producer", shouldn't you at least give the ladies a holla?

And when does something fun get creepy? When does appreciating the seriously sweet dancing and lofi creativity of african music videos go wrong? When is it just using them to give a video some exotica/arty flair with the bodies of POCs? Im sure there could be ways to use and get inspiration from these videos in ways that seem less off, I'm thinking in the lines of MIA's Boyz video.

And does it matter? After all, the original video has 194,158 views while L-Vis 1990's has 5,821. Which might mean they have more clout than he does. I'm not sure those dancers have anything to fear from niche Djs. Either way, I think we should expect DJs to use the same respect & give appropriate credit to video makers and dancers as well as the musical artists they use and work with, vs. assuming it doesn't mater, b/c those 'are the real artists, not like those endless, expendable video girls'.

An excuse for an Iran video dump

2009-06-17T20:16:00.006-04:00

I've always dug Iran's changing national anthems, and its fun too look at them all together and figured Id post on it. Shifting Iranian patriotism seems kinda topical + feminist rappers & youts, old revolutionary/patriotic songs, etc

We begin with Iran's very awesome firat national anthem, Salamati-ye Shah, used until 1933. It was recently reworked with new lyrics by poet Bijan Taraqi.

best line: "Show your face in the sky / Like the immortal sun / Listen to the pain of my words/ I am your companion singer"

Second Iran Anthem, Sorood-e Shahanshahi, used 1933-1979 and chronicling the exploits of the Shah. imo grating, dreadful.

best line: "Of Right we've been and still are champions / What is right is all we ever demand."

3rd national anthem, the Soroud-e Melli-e Jomhouri-e Eslami-e Iran of the Islam Republic, only slightly less dreadful.

best line: "Your message, O Imam, of Sovereignty and Freedom / is imprinted on our souls"

And finally, Ey Iran, which despite immense popularity has never had anthem status, although apparently its occasionally used as such by opponants of the Islamic republic.

best lines: "The stones of your mountains are jewels and pearls / The soil of your valleys are better than gold / When could I rid my heart of your affection? / Tell me, what will I do without your affection?"
& "Your water, soil and love molded my clay /If your love leaves my heart it will become barren/ Your love is my calling"

+ with dope female vocals:

more vids..

No more lies - Etteham, with vocals by mahour. they say 'leave youth alone', clip includes scenes of iranians -- most of them women -- being warned or detained by police because of their appearance. over a million views..

i missed u !

2009-05-28T20:20:00.009-04:00

Recently returned from ~ 5 months in Haiti/Hispaniola

& i just wanted to share 2 fav clips of mine:

Barikad's Tou Pou Yo is currently the biggest hiphop single in haiti so far this year from probably the biggest name in haitian hiphop. Its long in an epic way, an interesting shifty beat and an original take on the sort of trancey sounds which were echoing thru hh last year.

Its also refreshing to see better quality sound and video from global artists these days. Something about seeing global pop present itself outside of grainy video changes perspective a bit.

Another fav of mine is insanely talented Edalam from guadelope..

note the awkward 'tourist presence' in the video, depicted as nerdy / harmless..

------

Right now I'm rediscovering/falling in love all over again with the internet! Not that Haiti has none, just nothing in my neighborhood that id use for anything unessential. This made me worry about keeping in contact with friends in Haiti, as I am not a phone person.

Luckily there's another simple, impersonal, noncommittal my generation friendly way of doing so. God bless SMS. So far we've been keeping in touch by sending cheeky, inane life updates with twitter style texts on my phone. Theres a wide range of free online text messaging sites with international service, but mostly to already fairly connected countries in south America, Europe, and southeast Asia. Techie NGOs/entrepreneurs/smartie pants - think of ways to make texting free and easy between global north and south & between fellow southers. Maybe improve current tech/communication than dreaming of, say, one laptop per child.

map of Digicel coverage in Haiti

Haitian phone service is cheap, & dominated by Digicel, 'whose initial investment of US$260 million was at the time ( and remains today ) the single largest investment made by an international company in Haiti'. Which is interesting b/c digicel is a Jamaican company. Only been in Haiti 3 yrs and seem to be owning. What they gonna do with all that CARIB MONEY?

Zouk!

2008-12-07T20:37:00.015-05:00

You know whats sad and sort of endearing?
The amount of hits ive gotten recently from poor souls searching "lalala halehelohalow" like "english translation for lalala halehelohalow", "lalala halehelohalow helabalahehelebalo meaning", "arab money hook halehelohalow", "main chorus arab money halehelohalow", etc. I have no idea why he thought he could get away with that chorus in this day and age..

Over @ Ben Loxo, Matt recently had a guest post about Zouk, a genre worth defending. The english wikipedia zouk article is meh (but the french article is fun) ex:

"Zouk is a style of rhythmic music originating from the islands of Guadeloupe, Martinique and the former French colony of Haiti. Zouk means "party" or "festival" in the local creole of French with English influences. In Africa, it is popular in franco/luso countries, while on the African islands of Cape Verde they have developed their own type of zouk. In Europe it is particularly popular in France, and in North America the Canadian province of Quebec."

Im no expert, but does 'rhythmic music' mean anything?

Usually id post all my fav videos, but I doubt i'll win any converts. Sadly zouk is not a genre about to be featured in Fader. Esp zouk-love. The most saccarine of afro-carib 'post-colonial pop', to me its the panultimate slow dance music, influenced heavily by other sweet musics like Compas (and :. cheesy french chanson music) as well as american RnB. Its a music I probably wouldnt dig if it hadnt been such a staple in west african clubs, accompanied by riskee-for-senegal intricate grindin.

francosphere/lusosphere

There are a number of reasons zouk is fun for me to dig a bit into. For starters, im always curious as to how music spreads thru spheres, and zouk in particular leaves me with a million questions. Why does zouk travel across francophone and lusophone countries but completely misses bordering language spheres? If the music isnt bound by one language sphere (sharing french and portuguese) why has it practically never crossed into anglo or spanish speaking territory? - especially when zouk has been so localized /adapted and embraced differently by various regions in these spheres, as Neva Wartell says:

"Today we can hear the influence of zouk in dance rhythms around the world, from Brazilian lambada to Caribbean styles as diverse as merengue and soca; from Cameroonian makossa, Congolese soukous and Cape Verdian funana to zouglou from Ivory Coast and even zouk-mbalax from Senegal."

Zouk-Mbalax : Philip Monteiro - Gainde njaay

Cape verde and west african zouk are closely linked, sharing some of the same artists (similar location, not language?). In Angola, zouk is known as Kizomba and shares a similar dramatic dancing style with brazilian zouk (language link, not location?) West African and Angolan zouk operate totally independantly (um, continant not country!) Also, Zouk is popular in France, with many crossover hits and steady influence on french RnB, but is much less visable in Portugal (France is closer linked to former colonies?). Finally, some stars tour thru / crossover everywhere. Congo-Brazzaville Zouk/coupe-decale star Kaysha's 'REPRESENT' tees and tour locales are give a good image of the widest possible zoukosphere, or Coupe-Decalesphere.

I also hear zouk in Akon's singing, subtly influencing while being influenced by the current sounds of hip-hop and RnB. Not just in its super slick vocals, but also because along with rai, zouk is something I associate with interesting autotune uses, esp as its becoming an RnB staple, as it has been in zouk for the past ~ 7 years.

old pop-zouk french crossover hit, sweet video : zouk machine - maldon

gotta say, those ladies are pretty rad..

When theres Arab Money......

2008-11-14T21:21:00.007-05:00

**just wanted to highlight a few reactions by Arab-Americans to arab money:

"Busta Rhymes is a genius to me musically, he is someone who pioneered a style and someone I grew up listening to since the age of 13. ... But man, you know, the time and effort put into the hook by Ron Browz was really really really really depressing. At a time when our brothers and sisters are dying worldwide, we are subject to so much racism and insanity, I would want or expect a brother of this stature to speak on our people in a way that is intellectual, understanding and of growth. " - via The Narcicyst / Yassin Alsalman's clever response to arab $$

+

"My first thought when I heard the offensive chorus sandwiched in between gibberish "Arabic" ("The way i make the people wanna sing the hook in Arabic : LaLaLa HaleHeloHaLow/HelaBalaHeHeleBalo/We gettin Arab Money/We gettin Arab Money"): WTF Busta?" - Maytha @ Kabobfest

+

"At the end of the day, its up to the artist to win over the crowd. As an artist i dont do music to cater to just my people. I make music and I make a living off of it. I make it for the love of hip hop. I love my people and always represent and will always let the world know who I am and where I come form. I recommend to other up and coming artists to cater to all types of demographics and not just one group.. be diverse in your message." - Noose / Naseem

+

"Sometimes, people like to twist things. We ain't mockin' the culture. We ain't tryin' to be disrespectful. Ain't no racism going on right here.
If you listen to the song, you see that we are actually acknowledging the fact that the Arabian culture, a middle East culture is one of the few cultures, that value passing down hard work riches that's been built amongst the family.
It would be nice if a lot of other cultures did the same thing. Feel me? So, I would like for it to be like that in my culture where we could build things to the point where we got so much that we don't need to rely on other cultures to contribute majorly in a financial way, or in whatever other way, to societies, communities or whatever governments we might live in. So, we are actually biggin' up the culture. At the end of the day, I want to be like that. I think a lot of us want to be like that." - Busta HISSESLF

+

The real real arab money. Those Khaleeji arabs might get one Khaleeji $$$

ps. whaaaaaaa?

media linkz

2008-11-09T19:37:00.004-05:00

I'm going to miss all these songs!!!

Obama coupe-decale created by dj Kadhafi based in the Bronx @ club Zoodo, a center of nyc francafrique. Its website is in french but you can manage. They occasionally bring in some pretty big Ivorian stars, check them out!

+

Iran Negah is BACK online! An Irani video site w/ an array of cool vids from revolutionary anthems , beautiful silent documentaries about the Bakhtiari tribe of Persia in 1925, bling cell phone youth culture, etc..

+

Some dj went and made a Lebanon repping creamy house track incorporating techtonik moves and using those big yelle letters to spell out BERUIT

+

Galsen youth teching and insane skating across Dakar

wah wah wah

2008-11-06T15:59:00.006-05:00

its my blog so ill rant if I want to...

This past week ive been skitzo & range from this / omg to unbelievable rage and sadness at the passing of prop 8, which affects family friends personally as well as totally fucking breaks my heart. It may not be that bleak but it feels like the entire gay rights movement which I have participated in during my lifetime is a failure, backfiring across the country w/ at least 41 states that now have statutes and/or constitutional provisions that prohibit same-sex marriage.

I guess the narrative is that we need to step back and win the affections of the people. (o rly? gag) we laugh and joke and act all cute on tv, and people love us and presidential candidates are hamming it up with ellen and you turn around and no everyone haaates us. [ ahem .. where were you barack] I always thought courts were the way to go, pushy but less humiliating than propositions. And we're right, not with this psuedo democratic mass rule but b/c we're created equal. I dont really know whats going to happen to the gay rights movement, but for now it feels like we are back to ZERO and its mindblowingly frustrating.

I cant avoid the personal. Esp when these scum have the audacity to call themselves things like Focus on the Family. My little brother just transfered from community college and entered his first semester at SCAD in Georgia studying achitecture. I'm so proud of him! But as my only sibling who is gay, he gets the bulk of my worries. Will his generation be as scarred and dysfunctional as my parents? Like them, will his friends be refugees confined to urban centers?

Theres a quote about fellow gayspawn in this 2004 article:

"For every kid who champions the brand-new world his gay parents have created, there's another one who sees his gay parents as so banal that they're not worth mentioning, or another who resents the way her parents' sexuality has become the central feature of her life. One young woman I interviewed, an academic in her late 20's who is still close with her out gay father, recently started dating a man who told her on their first date that he didn't believe gays should raise kids. She kept seeing him anyway, as if to prove she wouldn't let that one issue define her life, wouldn't use it as the litmus test by which she judged every person she encountered."

ugh, the dreaded litmus. I hate that i feel confined to an urban liberal bubble, and I always try to escape it but no it folloooowwws me. and it will always be the test by which I judge my nation.

USA USA USA ETAZ-UNISS .... <3 <3 <3

2008-11-04T14:59:00.010-05:00

nervous election stomach ache...

America! America!
God mend thine every flaw,
Confirm thy soul in self-control,
Thy liberty in law!

*****UPDATE***********

I got up to get a drink, came back and my cat was all: get offline and vote!

ring ring ring

2008-11-02T00:12:00.007-04:00

Global cell phone use at 50 percent

"At present, Africa has the largest growth rate of cellular subscribers in the world, its markets expanding nearly twice as fast as Asian markets. The availability of prepaid or 'pay-as-you-go' services, where the subscriber is not committed to a long term contract, has helped fuel this growth in Africa as well as in other continents." ~ wiki

To people going global south, esp Africa, i'd say avoid internet & get a cell! a. You can integrate / meet up better b. they are cheap and c. as Carlos recently reminded me, its the main way virals and memes and such get spread. Its youtube, boombox, AIM. Plus, its the only way to learn text languages. Im particularly fasinated with Arabizi, which is easier for me b/c I can't really read arabic w/o harakat anyway and I gratefully <3 the simple grammar.

Being able to understand chat language is really useful & surprisingly hard to get w/o traveling. Ive been really pissed off at wordreference.com, whose message boards have always been godly while trying to write french papers or translating messages at work. But the moderators have actually deleted my recent posts asking about west african french e-speak b/c they 'werent inquiring about correct french grammar', proving once again how commited most of french language academia in the US is to maintaining their own irrelevency. porkoi?!!

Above are the strangly appealing graphics of Kosovar youtuber Legoistat, who contributes to a long line of 'local' refurbishings of universal tech noises,in this case Nokia ringtones. He also made an amazing nationalist / homophobic video which gays up all the the flags of countries that did not recognize Kosovo. Somehow the hate ends up as a magical art.

These refurbs appeal to me as a nerd and lover of what may be now "contemporary post-colonial urban electronic dance music"

msn carib/braziled:

and dancinggg

Colin Powell Yahooze

2008-10-16T11:28:00.001-04:00

Colin Powell - "haha god bless africa... damn I love this song ... what does it mean?"

**update that first link was broken, this video has poorer quality. Now that ive seen a few more, despite the fact he cant do it well its clear he actually knows the yahooze dance!! Did they teach him or do we both share a love of dance virals??

No, Im not going to forgive him for failing his job and country and presenting us with evidence as fact that he himself doubted. I dont think anyone should. Yet I understand he was in a bad place at a bad time. And its not so much his endorsement as his well spoken defense of american muslims that i'll give props to. amen!

bad karma for us

2008-10-08T15:39:00.001-04:00

What Kwaw Kese wore to his christmas concet.

With style ranging from crunk to afrobeat/rasta, he also sports a kufiya and pals around with terrorists. Theres some orientalist / che vibes in this notorious brat's latest video.

true story -

Mia mama recently found and returned my old kufiya from Oman. Her girlfriend Marisa is German and grew up as a young punkette when the wall fell. When she saw it she said:
"ohhh a Che scarf!"
"No" my mom said. "Its islamic"
I try to explain: "its like a revolutionary chic thing b/c the palistinians wear it."
"In Berlin we call it a Che scarf b/c its bad karma for us" Marisa explained. "We already killed too many jews"

Understandable yet weird that people would vibe with and embrace its revolutionaryness w/o embracing the content of its specific revolution.

ps. the wackest aspect about the obama bin laden thing is that its a product of africas mixed heritage, arabs and islam mixin up east to west coast. And when you think about most black americans with araby/islamy names, i think talib kweli, aaliyah, queen latifeh, etcccccc ie parents giving their kids afro-centric names. why? cuz US slaves are mainly from west africa, which ranges from 95% (senegal) to 20% (cameroon) percent muslim. Sooo if we really have such a problem with people with araby/islamy names or ancestry, maybe we shouldnt have forcibly brought them to our country for hundreds of years.. /rant

Darbuka / Tablah / Tombak / Djembe & Reggaeton (!)

2008-10-07T12:38:00.001-04:00

wikipedia says "The goblet drum (also chalice drum) is a goblet shaped hand drum used mostly in Arabic, Assyrian, Persian, Balkan, Greek, Armenian, Azeri and Turkish music. Its thin, responsive drumhead and resonance help it produce a distinctively crisp sound. It is of ancient origin, and is believed by some to have been invented before the chair."

In a recent entry, I posted sum vids of pnjbi/indo kids improving dhol beats over hh / global pop. I found a number of similar Turkish videos, featuring "darbuka mix" or "saz versions" of various global us/carib tracks. The videos aren't as fun because they aren't live, but the results are just as great.

& Missy,
Chris Brown,
Usher,
Speedy & Lumidee
wait.. Speedy & Lumidee's Sentello? I was surprised reggaeton was so big in Senegal & the Maghreb, who knows why was I again surprised Turkey & the balkins love it too?

a romanian Don Omar cover:

Folks in turkey folk/breakdancing to popi chulo, drunk dancing to Dale Don Dale at a turkish wedding, Sazin up Sean Paul:

Theres a part of me that wants to believe these finds aren't random but from shared Andalusian/ triangletrade/ Mediterranean music sensibilities. (what?) but who knows. After all, you find lambada in Japan. oh wait. reasons?

kuduro & tecktonik "débark dans la jungle urbaine"

2008-10-04T20:58:00.001-04:00

Bondyblog(fr) does a brief write up on some kids mashing kuduro and techtonik. Its old (written in january) but the video is fun.

Le Kuduro débarque en France
Uploaded by Bondy_Blog

ohhh French charts.. zouglou dance recently peaked @ # 14 decale gwada hit # 3 this summer. I am not sure about the future of techtonik. Do the the hip androgenous children in kidtonik point to the end or deepening appeal? currently the # 4 spot is discobitch, whose obnoxious electro / terrible english verses i find strangely appealing.

clearly tho,

WE ARE WINNING

NOTE TO AMERICA :

2008-10-04T19:44:00.000-04:00

OUR SEXIEST POLITITIAN IS NOT OBAMA.
IT IS NOT PALIN.
IT IS SCOTT KLEEP.

Known as the brokeback candidate, this hunk is running for congress in Nebraska. So far, I believe I have no hits from nebraska. But if you dont vote for him y'all not welcome here anyway. why?

the tight pants. the sparkling eyes. the oh la la :

bam!:

He actually cares about the national debt:

the posi obama vibes & 'Nebraska values' :

just sayin'

Yahoooze

2008-09-23T16:08:00.001-04:00

Nigerian 419 / US bailout satire here.

One of my co-workers, who is a f*$#king idiot, (dre if you see this you got owned, ilu :) ) has been chatting to a "hot woman" online for weeks before I convinced him he was being set up by 419 scammers. It revamped my 419 intrest and thanks to ghanamusic, I found a hiplife take on 'I go chop your dollar'. In case anyone is out of loop, chop ya dollar was originally a nigerian pop song performed by Nkem Owoh from the nollywood movie 'The Masters' written from the point of view of a 419 scammer and mocking the occidental mugus who fell for the schemes. As an northeast coast liberal with no small town or family values, its all robin hood / fair game to me.

At first I was gonna call out some Australian reporter for calling the scammers "internet gangsters" which sounded exaggerated/vaguely racist. But turns out there are crews who would love to be taken seriously as such. viola:

yahooooooo. wikipedia says yahoo is now slang meaninging to cheat. Which it was for a while. But now thanks to general yahoo celebrationry, it is now also, or more famously, a dance:

from this:

With 800+ youtube comments, lots of arguing about 419, his lifestyle, defending or railing against him. interesting stuff:

fatalpurity : i dont really get the money-tossing part...i know its unattractive to be the person that says this, but is this the msg naij people should be sending out? if people dont know what to do with money, abeg give it to the people that need it (not that the people in this vid have that kinda money to throw about) but others in general.its a glaring shame that shoes, rings, clothes, dogs etc etc appear to be worth more than a child's life to some celebrities (or other richos).

Essymee : I don't care what people think about Nigeria, we are always proud and I am one of the proud ones. What were you expecting in the video, people from the rural part of Nigeria or poverty? I am sure you have not being to Nigeria in years and never earned money or worked in Nigeria. Please be more objective and acknowledge what is good.

nubianbelle : i agree with essy, americans sing about crime, drugs and prostitution by justifying it as part of their culture...this song is about the struggles of young men/women in naija...its not their fault that they graduated with degrees and cannot find employment...get your priorities right and point ur fingers at the politicians

ash11x : A bunch of criminals celebrating their loot. No different from the leaders of their impoverished nation. I am ashamed folks actually like this song

emines01 : relax guys...after all we got 50 cents in the states...dey just havin a good time and putting evryone else in dat state...peace

Aihen020488 : while u guys r judging nd yabbing, dey r makin their money nd d actual yahoo boys r still doin their tin nd buyin hummers. u shud mayb start by judging d govt 4 nt providin jobs. dey r guilty of d same crime as d yahoo ppl nd even worse. these ppl 've 2 eat, at least dey r nt carring guns.

beautette : love dis song... but wats wit d dollar shit, its digrading,.... and i see dis all d time in naija films as well, i think its really stupuid 2 always see another country's currency in ur own country.. its pretty dumb period.... coming 4rm a naija girl.

MentalMindFork : im confused - what is yahooze exactly?
somethin1234 : lol i'm nigerian and i have no clue wat it means. i dont think it means anythin. i think its just a made up word for the song. its sounds cool tho. YaHoozze!!!
ajoke16 : its the online scamers hun..
BlackFistUpHigh : ok correct me if im wrong bruva , but i thought yahooze was a nigerian dance .
ajoke16 : it is??? well my friend, it's also a scamming thing!
moabite3 : no its just a frase like "just kidding"
moabite3 : it means they came from nigeria and finally made it to america
MentalMindFork : haha i'm ghanaian and i have no idea what it is!
9jaborn : if u r not nigerian or ghanian, y not ask properly abt the meaning b4 u say shit... listen carfully to the lyrics u might get the meaning if u understand 'broken english' ill give u a clue - fraud!

Tho i must admit as an internerd, I would enjoy seeing 419 scemes as a more common theme for naija/ghana hiplife and rappers. I'm curious if 419 scams a purely english phenomenom, making sense for pure numbers and the naija headedness? If so, pauvre frenchies for missing out on some great lit and the opportunity to laugh at a bumbly professor @ 3:30

In his defense, many share his view. When i would obnoxiously complain about having no internet in senegal people would scoff. The internet was still bascially seen as the pastime of 'bandits'(pronounced bhan-dee, similar to the word bandit/thugs but used in senegal from what i could fathom to mean anyone of dubious character, a term i heard most used applied to various ethic/relig groups, often as "fait attention au Tuaregs - ils ont bandits") Used primarily for porn, freakish e-dating, or scamming -like us before broadband. Using the internet in saint-louis is a bitch. yo, broadband for afrika.

ESP SENEGAL!! I keep wanting to post fresh mbalax clips, but the terrible quality and lack of quantity are KILLING. like everything and is for example things such as THIS! :

ghetto/slum/shanty/bario/hood/favela

2008-09-23T09:33:00.001-04:00

Ok so I'm super amused by a dutch (ngo?) called ghettoradio which posts videos and radio from the "ghettos" of Africa. Theres something really problematic about what they are doing, namely totally aestheticising the poverty of others, so I was surprised to enjoy them. The videos are mostly just walking around talking to people. Its just fun to watch a dakar bar owner talk about his business, or what a boy in soweto thinks about bob marley:

"Bob marley is more famous than anyone in South Africa"

Ive been catching up on a lot of 'African' movies this summer. I didnt like Bling, although it does have some interesting footage. The whole Democracy in Dakar series felt a little forced and one sided. Both felt too messagey w/o actually delving into the message - like, how exactly does the diamond industry function or feed war or interact with global markets, or what exactly are youth in dakar protesting and how does hiphop influence elections. Otherwise it becomes speak for vs. speak with, sort of what Johan is saying here, that great art is automatically less problematic. There are a few great films though, particularly Sissako's. He has an intersting style annndddd btw, If anyone is curious about Nollywood film, I recommend signing up to izognmovies. Not to sound like a commercial but they have a really broad collection of free or 99¢ english language nollywood films, not amazing streaming quality but def worth a few dollars to check out!

So back to ghettoradio, i think ghetto is just a weird term to use when talking about urban africa. Here, ghetto is a reclaimed word - ghettofabulous, etc. But i think its up to populations to use or reclaim that term. Ghetto comes from jewish ghettos, & is described as a "portion of a city in which members of a minority group live especially because of social, legal, or economic pressure." Which doesnt really work for African cities. The UN uses slum, legitly resisted by many, but fits better as according to wikipedia "other terms that are often used interchangeably with "slum" include shanty town, favela, skid row, barrio, ghetto, and "The Hood," although each of these has somewhat different meaning. ... By contrast, identification of an area as a slum is based solely on socio-economic criteria, not on racial, ethnic, or religious criteria." So i'll just go with 'informal settlements found in cities in the developing world, most which lack clean water, electricity, sanitation and other basic services.' which = ~ 50-90% of most urban populations. Thus, not a minority with its own subculture but most people in cities, whose music culture often dominates national radio.

Ramadan Kareem رمضان كريم

2008-09-02T16:02:00.001-04:00

I just wanted to post some of the lovely Ramadan artz I have been seeing today. Ramadan Mubarak to all who celebrate!

HELLO WOLRD! part b

2008-08-29T21:37:00.000-04:00

The Rai'n'B compilations were pretty big a few years back and featured famous hits like 'un Gaou a Oran', 'Mon Bled', 'C Chô, Ca Brûle', a la french urban sounds. I'm not sure if African Tonik is going to be on the latest Rai'n'B release, but I'm excited to hear Rai'n'B Fever 3 comes out october 6th. If not the mix already has some great updates:

As for fun internet finds, I found yet another mix with African Tonik, a way less predictable mix by Dj Kayz. PARIS! NEW YORK! ORAN! I'm happy to see the Ivorian presence on the mix as well:

Blog searching also got me to Cyan Wait, which posts fun music but kinda creeps me out with its naked women american apparelish porno chic vibes..

blah

HELLO WORLD! part a

2008-08-29T20:27:00.000-04:00

African Tonik + world + Internet = lovely fruitssss

I found African Tonik bouncing around here, on an amazing mix of reggaeton (/dancehall/rnb) songs, many quite arab/desi informed. The blog is bursting with electro reggaeton, and pointed me to a lot of interesting tracks ie FRESH FRESH global reggaeton. Also, check out the genres in the label list on the side : Reggaeton, RNB, Dance Hall, House, Elektro, Mamboton, Soca, Remix, Reggae, Hip Hop, Reggaeton Romantico, Caribbean, Latin, Rai'N'b, Bachata, Bachaton, Flamenco-RNB, Merengue, Salsaton, Slow RNB, Anime, Arabic, Cubaton, Elektro-Reggaeton, German RNB, Mixtape, Party Music, Spanish, Tropical!!! NU-Whirled indeed!

Thanks to DA-Cri-EM, aside from all the electro-reggaeton, Ive also found found AMAZING electro/desi/dancehall tracks by Baba Khan like Tonight:

(electro-reggaeton?)(electroton?)(electron?)Rakim Y Ken-Y Come On:

and African Tonik fits right in!

SeneRap, Rap Galsene : Hip Hop SeneGal

2008-08-27T19:09:00.000-04:00

According to my stats, 'rap galsene' is currently the top search term thru which people find my blog, so I figured why not actually post about it.

Damn! It's so fun to see how rap galsene has developed since kicking around the region!

First of all, theres a lot more pure party beats than I remember. Senegal's never had a lack of dance music, so rap has often been free to be delightfully mellow. This seems to be changing, not that all hh is now 'booty beatz' but that rap galsene is becoming a more recognizable part of Senegalese dance music, largely by incorporating dancier pan-African or American hh styles. Here's a Snazzy video + serious crunky BASS:

Secondly, theres generally never been many Senegalese rappers who made my jaw drop in pure flow skill, and Ive been more interested in the beats, message, and incorporation of local soundscapes. A lot of early rap galsene, like a lot of old school American hh had a really simple rhyme scheme (every measure, etc). In the past few years I've seen seen more irregular, complex ryhme schemes for example Xuman & Amen-Ô-Fils' Bal Bi, tho it prolly doesnt sound worth noting to peeps with less galsene experience. It's another club track:

Im all for fantasy spaces, and I know its equally ridiculous in the U.S., but its lol to imagine anyone in Senegal actually living out that 1st video and cruising a street in a pretty conservative Muslim country and finding a babe in a bikini washing a convertible in public. Its not surprising that its got people talking.**(see below)

But hey don't let those videos give you the wrong idea of the current face of Senegalese hh as they exist within a really diverse roomy music scene & roots rap is still. dominant. esp when compared to Cote D'Ivoire, Nigeria, Ghana, Kenya, etc.. Xuman (above) is also responsible for some crazy creative tracks, such as the following about domestic violence, presented in a pretty humorous way. The wife here is a 'victim' but also pretty capable of defending herself ball twisting style. K.O.!!!
Xuman - buki ak mbaam:

Boima just posted some tunes from the new compilation Lessons Learned featuring Islamic hip hop from north and west Africa. My fav part is Sister Fa's catchy, breezy chorus of Selebou Yoon [mp3]. However my all time favorite Islamic hip hop song is an old one, Bidew Bu Bess's 'Baye' which my pot smoking, sufihead pals would BLAST from their dorm. The chorus incorporates Sufi religious chants, a major part of the Senegal soundscape:

Once every 3-4 weeks on campus at least one brotherhood would have a holiday or religious scholar / leader visiting. This merits setting up enormous speakers and echoey microphones under a tent and chanting (or sometimes walking in circles) ALL NIGHT MIND NUMBINGLY LOUD from about 7-8 in the evening till the first prayer call in the morning at ~ 6 am in the courtyards of dorm buildings. A pretty beautiful, amazing thing to witness the first 1-2 times but becomes incredibly aggravating if you want to say, write a paper or get some sleep before an exam the next day. Like this for 11 hrs:

**It's really fun when I find discussions in the comments on various African music sites engaging similar questions as the folks at wayneandwax.com and dutty artz.

smut/slackness and vacant lyrics (senegal)
negative influence of american pop (ghana)
debating "western" mbalax artists & audiences (senegal)
understanding lyrics (senegal)

Afrika Youtube extravaganzathon

2008-08-21T11:34:00.000-04:00

French tecktonik meets Algerian rai meets Ivorian coupe decale meets Guinean Afropop meets Hip Hop in Mokobe's song 'African Tonik'.

What?! They made a new sexier video! (with way better sound) I was originally going to post this video with my commentary, got bored with the idea, but now decided to do it anyway with my comments from the old video b/c im LAZY:

:01 aiight with a french accent.
:09 yeediii yedeeii - tu te rapple? ouiaa but what is this word?? Hes referencing Mohamed Lamines chorus of 'un gaou oran'.
:18 old people schtick. yesssss.
:19 trancy araby technoey noize loop. rai/arab pop/eurobeatttt. I'm sure theres more of this, but where? amazing!
:41 Coupe decale style. yessss. oh wait, I barely recognized him all glossed up, thats DJ ARAFAT.
:50 again, Mohamed Lamine! to me, vocoder = rai so when all this t pain vocoder/autotone love swept up lately ive been sorta hoping rai might surface strongly up somewhere. yesssss. Lamine has some fun rai only vids.
1:05 harp/kora kicks in and Mory Kanté pops up. his voice style is that baba maal / uber mali/ senegal/ guinee/ gambia / the western sahel sound that can be be echoy, sweet and dizzying in mbalax or uber soul gutting in its folksier rootsy deserty "blues" expression (think Xala soundtrack, not Tinawaren) anyway, yesssssssss. Kanté is old school afropop.
1:28 chubby singing kid. very meme - y. very internet. also, he stole kanyes glasses!
1:41 fat people replace old people.
2:28 GAY! yeah we are all in spandex dancing like fools, but were not gay, ok??? see? look men touching oops ew. NOTE: this part is no longer in the new video, looks like somebody said something? or maybe cuz it obnoxiously stopped the flow?
2:37 again that nice noize. thnx to all involved in this techno/trance & hip-hop love affair fad thing.
2:47 fat people replaced by tecktonik lessons! yesss
3:05 um.. who invented this ridiculous urban day glo style? when / where did all that electroclash get hip hop filtered into this aesthetic? everybody mentions it, has anybody written more about it?
3:06 keffeyis attack! weird that its in a "rai" vid. or is it more duh than wow?
3:31 awww drumming kid
4:00 full dance party commences
4:05 again... wtf is Lamine sayinnnnnggg? :( so far I can't find lyrics yet.
4:27 cest ca! (qui a la verite)

It seems like Mokobe is continuing along the lines of his 113 rai'n'b fever work. RIM'K also released a solo album last year with an interestingly titled single "l'Espoir des Favelas", showing shots from across france of it's "favelas" mixed w/ shots of brazil and algeria.

The rai'n'b mixing seems natural, like if everyone in paris is mixing their national musics with hip hop, why not just start blending them all together? He does seem to have his hands in a ton of this years amazing stuff. I recently saw him pop up in a Alex dioufaniokhobaay video, whom AfricaHit.com calls "le bow wow senegalais" :

Alex also shows up in this video with AKON, showing his crazy popularity in senegal, i haven't seen much footage of him there:

Speaking of senegal's music gods, how sweet is Youssou's dramatic intro to his live dvd album? part fantasy, part real, he emerges:

Gay President

2008-08-20T09:35:00.000-04:00

I just googled "ethnically gay" & found this:

"It has been two years since I moved back to San Francisco. ... An entirely new 21st-century urban high-density city is rising. Dire, street-survival poverty jostles up against an unprecedented exuberance of über-conspicuous consumption here. As gay community scholar Gayle Rubin remarked at a recent GLBT Historical Society presentation, our painted lady is being transformed into a "command city for the 21st century." Like Hong Kong or Dubai, it is a "desirable" place for the new global corporate elite to build their personal homes. ...

And as cities have become desirable again, deeper-pocket interests have been gentrifying the gays out of their urban enclaves all across the country. The Castro, our own homegrown "ethnically" gay neighborhood and symbolic (if less frequently visited) gay capital of the United States, suddenly looks like the last "traditional" gay neighborhood. As the Castro has been turning a bit seedy, local queer pride and, increasingly, the city planning and tourism boards see it as the Gay Capital of the World. Herein lies the ironic paradox today: as gay folk have been disappeared by AIDS or sucked into the queer diaspora, gays and straights alike see this newly "ethnic" community through gently softening lenses, engulfed in cloud-shrouded images of quaint, nostalgic, queer white picket fences."

- Les Wright, part 1 & part2

Growing up straight in a gay family I've come to think of myself as "ethnically gay" ie. gay culture being my culture, values, and community; place of origin. Ive noticed other "second generation" peeps speak similarly. I can't betray my people so it pretty much sums up my politics and influences my relationships, career, spirituality, etc. Also my notions of race. Thus, I feel my racism / ideas of race and class come out of racism within the gay community vs. middle class America per se.

It also informs how I see Obama. When he dismisses the cheap radicalism or the apologetics 'excuses & blaming' of black America while totally understanding and sympathizing, I get it. I dismiss the cheap radicalism or the constant apologetics excuses & blaming of gay America while totally understanding and sympathizing. As he is a biracial man who worries about appearing too black or too white I worry about me and my family appearing too gay or my own ability to pass as totally straight (ie. deliberately misleading people about my family, something i do all the time). Not to say i understand at all what racism feels like, but that i sympathize with his unique dual position and all the complications that come with it. We are both bizarre, unique productions of changing times.

For me Obama is also exciting in perhaps foolish ways - if sax-playing bill was dubbed the first "black" president then to me Obama, with all his metrosexual tendencies, is the first "gay" president. He exudes a very casual yet meticulous (gay culture informed) masculinity tho he might mention faith & pander (and trouble me) when it comes to gay rights. But how would his election affect American masculinity?

I know a lot of gays esp. boys who embrace pieces of hh & 'black' masculinity, and I'm curious as to when, where, and why I see so many black men embrace metrosexuality [the trappings of yet not actual gayness = whiteness / class ? The trappings of blackness = masculinity? ]. These two cultures deal with similar presence/absence in the public sphere. Both appropriations seem increasingly common. Both are somewhat awesome. Both are also offensive.

ps. hmm?
pps: speaking of gayness, i LOVE this video:

the shocking truth @ 4:11!

stuff showing up places

2008-08-14T20:34:00.000-04:00

I recently found an amazing kiswahili cover of Nancy Ajram's Yay, called sina hali by mask girls:

I heard whiffs of Arabic pop played in west afrique, and I always thought it was a Muslim Maghreb cultural connection. But this song is Tanzanian, and suggests perhaps a wider sub-saharan influence / linkages of Arabic pop in the continent. or perhaps a specifically tanzanian (&somali?) concoction? Im interested in how these links play out on the east coast.

I love the bubbling flustered girlishness jumping around these vocals. Nancy sings:

"yay, the charm of his eyes, his looks, once our eyes met ... I forgot my name"

also this:

Although this video's basic premise could beget major analyses, I'm less interested in what snoop is doing in the punjab (or australia?) and that now classic bhangra / hip-hop mix than I am in what hes wearing on his neck @ 1:38. After reading too many Hawgblawg posts Ive become a kuffiya hawk and was totally surprised to see one show up here on a Sikh character of a bollywood film.

Is this just the crazy aimless spreading of international fashion? Was it adopted obliviously for more 'punjabi' flair? Are kufiya so linked with edgy hip-hop culture its adopted as a signifier here? or is this a delibrate mashing of a new urban third/forth-world/global south pride chic? After all, with its sparta references and sarcasm it seems pretty u.s. culture saavy..

Mauritainian youth say whhhhhhaaatt??

2008-08-12T11:55:00.000-04:00

I thought it would be fun to post some interesting opinions / reactions from a debate some mauritainians were having about the coup. Warning: loosely (poorly) translated by moi.

Kane:
"en tous cas moi j'opte pour que les americains ns envoient des contegents pour raser ces imbeciles qui ne sont la que pour remplir leur compte."
"In any case I opt that the americans send contingents to demolish these imbeciles who are only here to fill their pockets."

**note** Its pretty interesting to hear somebody wishing the U.S. would invade their country. It shakes my perspective a bit.

Ibrahim
"moi c ki me choque c, en plein crise économique, on a dépensé du fric pour fabriquer les bulletins de vote, toute la mauritanie c'est rendu aux urnes pour voter et aprés tout cela la situation change en quelques minutes."
"what shocks me personally is that in the middle of an economic crises, we spent money to print the ballots, all of mauritania goes to the polls to vote and after all of that the situation changes in a few minutes."

Akan
"Le pays va vachement mal,et tant que ces généraux fictifs sont toujours là alors, la situation que vivent les peuples mauritaniennes restera cyclique.Il faut les raser et je pense que c'est l'unique solution pour qu'on puisse initier la démocratie qu'on attendait depuis prés d'un démi siecle."
"the country is doing terribly, and as long as the sham generals are still here the situtation in which the mauritainian people ar eliving with remain cyclical. we must remove them, i think thats the only solution with which we can initiate the democracy we have waited for almost half a century."

Kébé
"Mes fréres, un coup d'etat de tel genre n'est jamais valable.Mais, nous tous nous savons que le pays va mal, et que Sidi n'arrivais pas à regler le Bléme dépuis des mois,il a changé dans une année 3 fois le gouvernement. Mais tous cella, ne mérite un coup d'etat, les militaires pouvaient démande aux peuples de sortir pour démander le depart de Sidi, comme ce qui est passé aux iles de comore, dans ce cas s'il refise, les militaires auront les soutients de l'union Africaine, union europeen,des nation unis."
"my brothers, a coup d'etat of this type is never valid. But we all know the country was not going well, an that Sidi was not managing well for months. he changed the government 3 time in one year. But all that does not merit a coup. The military could have asked the people to demonstate for Sidi's resignation, such as what happened in the commoros iles, in this case if he refused the army could have assisted an organized effort by the African Union, European Union or the United Nations."

Kalonejie
"les mauritanien la plus parts c des imbécilles ou des ignorant..dir ke certain poppulations sorte pour manifester en favuer des poutchiste! mmmrrrdd!
on s"en bate des kouille de leurs politike et des millitaire. nous on fait du fric. et vs devriez en faire autant, et laisser c lapidé avec leurs propre sorts. faite du fgric les jeunes, et ne vs intérraissez pas à ces cloone."
"Most Mauritanians are idiots or ignorant..To think that some parts of the population go out and demonstrate in favor of those who did the coup! shit! We don't give a fuck about their politics or their army. We make cash and you should too, leave them to handle their own fate. youth - Make cash and don't pay attention to those clowns!"

Gabriel
"Un pays qui va mal sans democratie sans dignité sans respect pour son peuple. 3 president en espace de 3ans! les militaires ont aujourdhui confirmé une fois de plus qu'il etaient les maitres de ce pays et c'est eux qui dirigeaient et pas sidi que son election a la tete de la president ne servait que de decoration pr le pays... kan ya pas de bon gouvernment yarra tjrs une division d'ethinique!"
"A country goes poorly without democracy without dignity without respect for its people. 3 presidents in the space of 3 years! Today the military has confirmed one more time that they are the real masters of this country and its them who rule and not Sidi whose election to president served as nothing but a decoration for their country. ... when there is no good government there is always an ethnic division!

Via a messageboard some friends were writing on. im paranoid. Not like my blog gets any traffic, but im a little hesitant to link up to this e-convo w/ everybody's attached personal profiles last names and locations and such until i know more about whats going on la-bas.

شرف إخاء عدل Honor, Fraternity, Justice ?

2008-08-07T18:14:00.000-04:00

Paint on boat, Nouadhibou - Mauritaine

Speaking of CONTEXT, Mauritania's military seized power yesterday and removed from office the country's first democratically elected president in over 20 yrs. To me, an unexpected blow, tho this seems to have been brewing for the past year or so.. I've been writing optimistically [naively] about Mauritania's 2005 onward slow shift towards democracy and recent discovery of oil, and what it could mean for the next generation of Mauritanians. B/c its so isolated yet connected, 'Arab' and 'African' yet neither, and so rarely written about, Mauritania was a really interesting/fresh space for me to examine all those themes of petrocracy, global china, terrorism, race, human migration, desertification and global warming, etc in college. So it goes.

sand dunes devouring the capital [Nouakchott]

Of course, its all hella complicated. a: The president was fairly corrupt and a previous coup leader himself b: the same military leaders who took control were some of the same ones involved in democratization efforts. c: Public anger at the govt for failing to protect them from rising food prices and costs of living may have helped push public opinion against the ex-pres Sidi. but in terms of optimism, and the future of race relations this feels like a huge step backwards. Like in the Sudan, southern "black Africans" have huge legitimate issues with the minority "northern Arabs" totalitarian rule (oversimplification of course, the majority are mixed race). Race riots and isolated incidents of and fears of ethnic cleansing have led to refugee populations, and the new democracy was organizing repatriation and nobody is sure what is going to happen to them now..

if you want more info, the bbc, nytimes, and even aljazeera have released vague, unhelpful reports. The most useful to understand the recent coup in context for me has been Western Sahara info (esp comments),The moor next door, and Mosaic.

sum wonderful awkward Mauritanian (puelar) dancehall/hiphop

dholtube

2008-07-28T15:58:00.000-04:00

love this mini youtube trend:

It seems great in that its improv'ed "trad" beats over hip hop vs. my usual sense of mixing and improving beats over trad indian soundz. (or maybe i just dig them brit/pnjbi accents)

fun!

Coupé-Décalé

2008-07-06T10:22:00.000-04:00

After rolling my eyes at the Fader's mini presentation of Coupé-Décalé, especially the comment "I could get all anthropological and delve into the context of it but other more knowledgable people have already done that" with a link to this wikipedia article with only a wee little paragraph on Coupé-Décalé.

I've seen a lot of write-ups which describe it as a 'hot new scene' (umm at least 5yrs late) & after searching the anglosphere for better sources i found a serious lack of info. I know that new documentary is coming out which will prolly give people a better sense of the music's context and history but i figured id try to help out by adding some francophone knowledge to the mix and give Coupé Décalé its own wikipedia article. It's very adhok right now, im hoping people add and edit to what i started.

Minimixxxxx

2008-07-01T21:38:00.000-04:00

I made a minimix of pop songs I like todayyy - reggada, ethiopian dance remix, etc.

Minimixxxx

loooovvveee dancinnnnn

amen

Tech weh yuself

2008-06-30T19:51:00.000-04:00

Wayne @ Wayneandwax.com has, as usual, written a really interesting post on chabbi and how it might/ might not fit into the 'ghettotech' umbrella.

If the guys in those chaabi videos were a street gang, holding guns & wearing kiffeyehs people would eat it up?

back when i was runnin my mouth, complaining about bizzarro distorted concepts of african music wayne quoted me (theantisuck) here.

I said - The roots obsessed decry Hip-Hop for losing touch with indigenous sounds. They blame American rap for destroying indigenous sounds yet they love ali farka toure, amadou &mariam, ethiopiques, ie. things that sound like American jazz and rock music. Then you have hipsters into African rap scenes, daraa j, kuduro, trying to find the music with the most dangerous street cred/booty beats and/or backpacker rap in Africa. Both “scenes” are perhaps dying yet so small and insignificant as to be nearly nonexistent next to the reality of African pop music and the actually huge scenes alive and well of coupe-decale, mbalax, swahili pop, zouk.

This isn’t to say that kuduro isn’t fascinating, especially from an academic perspective. It's just that I find it disquieting to see western audiences picking and choosing and making their own African celebrities and ideas of African music that seems so detached - in fact largely IGNORES much of the most popular African musical trends and artists celebrated across the continent. We seem to be creating our own African music scenes in our heads yet ignoring the scenes alive and kicking. Is this so bad or understandable? What are the consequences?

He responded by saying some legit points like we don’t have to listen to what's popular, shouldn’t worry too much about heisenbergian effects, and are coming from our own American, hip hop informed perspective.

Wayne asks: “Where are the Asian, Middle Eastern, or even European standard bearers for the global proles, if that’s what we’re repping?” global proles? I don’t feel like that’s what ghettotech is repping, even Wayne's stated bloggy interest is ‘American’ music, even in its broadest sense.

Ghettotech is music that is identifiably both ghetto (poor, urban, [hopefully black?]) and tech (what Wayne calls ““hip-hop logic” as well as the audibility of certain technologies and a set of sonic priorities weighted toward the low-end & the polyrhythmic”)

I feel like it would be hard to find Asian, Middle Eastern and Euro musics that fit entirely into that category. low-fi, urban, poor, sure. But they are just not engaged in the same intense dialogue with hip-hop as the Americas and Africa. I think that music comes from a totally different soundscape than that ol time triangular trade route of bodies/culture. Also not black. Race is probably an issue here.

Since runnin my mouth it turns out I was too cynical, at least about coupe decale. The mixtapes were already brewin. I can't even say I know mucho about African music anyway. Most of my knowledge is from living in Senegal in 2006 and the contacts I’ve maintained with friends there and diasporic shops/contacts. I think the distortion is also b/c African music is so mixtape/radio/adhoc spread. In Saint-Louis when I wanted to buy a cd I would tell shop owner Lamine what sounds I was interested in and ask about songs id heard at the club the night before and he would burn me a mix. no cd sales info. Even in JA, there’s trustworthy charts. So far I have been able to find no sort of trustworthy parallel African music charts. I feel like nobody has any idea what the people are actually listening to and so it’s hard to gauge context when discussing African music. If anyone begs to differ send me some links.

My orig point in that quote is that as somebody who just loves African pop music I love a lot of ghettotech music and the scenes occasionally awesome reflective engagement but find its limited scope frustrating. When I try to go to most clubs or music shops its arggg all marketed into that ol world music/nu whirled music ideas of African music. I wish there was a 3rd way audience dance/club scene that embraced global beats w/o always being ghettoed or downtempoed. But I dont think we are at a point where its easy to get direct engagement yet, so these scopes and ranges, i think, still matter. Not b/c of a few blogs influencing a music scene far away, but perhaps in terms of U.S. distribution.

Robbers, bandits, and blood-sucking vampires

2008-06-24T12:48:00.000-04:00

"Average CEO compensation grew by 3.5 percent last year despite slowing economic growth, falling profits and mass layoffs, according to an Associated Press review published Monday. The review found that the S&P 500 CEO received an average yearly compensation of $8.4 million, up $280,000 (an average raise that is the equivalent of six times the US median household income) during 2006.

The data render ridiculous those apologies for social inequality resting on the idea that CEO pay is linked to ‘performance’ in some meaningful way. The Associated Press review found that “CEO pay rose or fell regardless of the direction of a company’s stock price or profits.” The report also notes that half of the 10 best paid CEOs—who collectively hauled in half a billion dollars last year—presided over companies whose profits shrank “dramatically.”

John Thain, the CEO of Merrill Lynch, ranks first on the list. He received $83 million in compensation for the year, despite presiding over a company that posted a $9.8 billion loss in the fourth quarter. He replaced former CEO Stanley O’Neal on December 1, 2007. O’Neal left the bank with a compensation package worth over $161 million, despite his direct oversight of the bank’s gambling with mortgage-backed securities that ultimately exploded in 2006-2007.

Likewise, John Mack of Morgan Stanley, also in the top 10, received a compensation package worth $41.7 million, even though his firm announced the writing down of $9.8 billion worth of loans and a loss of $3.61 billion in the fourth quarter.

The housing bubble and the worldwide financial crisis it has created were fueled by people like Mack and Thain, as well as the enormously wealthy shareholders they represent.

In good times, financial executive compensation has been tied to increases in stock value and short-term asset performance. But it does not seem to track the downward spiral as these measures fall. In recent years, financial executives have swelled their bonuses by buying up huge tracts of “mystery-meat” securities with high yields and intentionally miscalculated risk.

This reporter recently attended a lecture by David Hartzell, a former vice-president of Salomon Brothers, who played a role in the development of the mortgage-backed securities that were instrumental in creating the current crisis. He noted that by repackaging bad mortgages as high quality securities, his firm could generate previously unimaginable profits. “When we first discovered this, it was like somebody turned on the cash spigot,” Hartzell said. Naturally, a great deal of this cash made it into executives’ pockets.

The latest figures have already evoked calls from sections of the business press for greater corporate oversight of CEO activities and compensation. Much of this comes in the form of “shareholder activism,” as if the biggest shareholders did not approve the policies implemented by financial CEOs when they sent stock prices and dividends soaring.

Questions along these lines were raised at Hartzell’s speech at the University of Delaware. The dean of the university’s business college observed, “In accounting 101 we learn that high yields equal high risk. We know the CEOs had an incentive to disregard this because they were getting huge bonuses. But why didn’t the shareholders say anything?”

Hartzell did not have a ready answer, but it does not take much soul-searching to find one. The wealthy shareholders—those with real voting power—were perfectly happy to see the financial firms’ profits and stock prices skyrocket, even at the expense of long-term stability, and to give top executives tens of millions for making this happen.

Looking at the AP compensation report, one is struck by the apparent correlation between a CEO’s pay and the amount of social harm his or her company inflicts. The bankers who triggered a worldwide financial crisis got the biggest bonuses. Then we have the energy executives, whose compensation shot up some 32 percent last year as gas prices breached $4 per gallon, sharply reducing the real incomes of millions of working people.

Bob Simpson of XTO Energy took home $50 billion in compensation in 2007, ranking him at number four this year. Other energy executives on the list included Eugene Isenberg of Nabors Industries and Ray Irani of Occidental Petroleum, who took home $44 billion and $34 billion respectively.

Other bonus hikes went to executives who succeeded in destroying jobs and driving down wages. Rick Wagoner of General Motors received a compensation package of $15.7 million, up 60 percent from the previous year, despite presiding over a company that posted a $39 billion loss in 2007. He was, however, successful in scrapping GM’s healthcare obligations to workers and pushing through plant closures.

And what have been the social consequences of all this? Who has paid the cost of this enrichment of a tiny layer at the top of the social ladder? According to the latest estimates, one in twenty Americans will soon have negative equity in their homes, and millions already face foreclosure. Energy prices have shot up by 17 percent in the past year alone. Real wages have fallen by about 1 percent during the same period, with far steeper declines threatened."

Link: http://www.wsws.org/articles/2008/jun2008/ceos-j17.shtml
US: CEO pay sets new record as economy tanks.
via jdean

ITS OK TO BE RADICAL. VIVA TRANSPARENCY

what will you think of me in 500 years?

2007-12-04T16:30:00.000-05:00

"What does Saddam want? By all accounts, he is not interested in money ... Saddam himself isn't a hedonist; he lives a well-regulated, somewhat abstemious existence. He seems far more interested in fame than in money, desiring above all to be admired, remembered, and revered. A nineteen-volume official biography is mandatory reading for Iraqi government officials, and Saddam has also commissioned a six-hour film about his life, called The Long Days, which was edited by Terence Young, best known for directing three James Bond films. Saddam told his official biographer that he isn't interested in what people think of him today, only in what they will think of him in five hundred years. The root of Saddam's bloody, single-minded pursuit of power appears to be simple vanity.

But what extremes of vanity compel a man to jail or execute all who criticize or oppose him? To erect giant statues of himself to adorn the public spaces of his country? To commission romantic portraits, some of them twenty feet high, portraying the nation's Great Uncle as a desert horseman, a wheat-cutting peasant, or a construction worker carrying bags of cement? To have the nation's television, radio, film, and print devoted to celebrating his every word and deed? Can ego alone explain such displays? Might it be the opposite? What colossal insecurity and self-loathing would demand such compensation? "

- Mark Bowden, "Tales of the Tyrant" May 2002 Atlantic Monthly

x ould y

2007-12-04T03:41:00.000-05:00

I first started believing the hype about e-democracy when, while talking to a student from Mauritania at Gaston Berger in Senegal, West Africa about blogging, he showed me hundreds of entries of the blog x ould y downloaded onto his computer. He explained that x ould y is a blog about mauritanian news, gossip, rants, and politics.

My friend had an ancient desktop, and no internet access, yet the blog was spread through burnt CDs and USB drives among Mauritanian youth, carrying this renegade news source, at times the only consistent free media about Mauritania. He explained to me that the anonymous blogger was considered a hero to his generation of Mauritanian youth and claimed his presence had significantly contributed to recent democratic movements within the country.

My friend may have exaggerated the impact of x ould y, but its hard not to admire that just the existence of free speech on the internet would carry such an impact onto Mauritanian youth’s political awareness, even when they themselves had limited internet access. Also, since this conversation my friend has began blogging himself and decided to open an internet café in Nouadhibou after college.

At GYAN, I remember our newsletter mentioned october's connect africa summit in Rwanda. This sounds like something to follow up on...

x ould y
Connect Africa Summit

Violence as Spectacle

2007-08-20T19:43:00.000-04:00

One of the most discussed topics in the Russian blogosphere last week was a graphic video of what appeared to be the execution of two ethnically non-Russian men by masked figures claiming to be members of a Russian neo-Nazi group.

A detailed description of the video can be found in this New York Times’ piece by C. J. Chivers.

Sean Guillory of Sean’s Russia Blog posted an overview of the media and bloggers’ reactions and, among other things, wrote this:

[…] Granted, I have not watched it, nor do I intend to. But to me this video’s political resonance says something more about spectacle of violence that inhabits our modern lives rather than anything specific about nationalism or fascism in Russia. As far as I’m concerned the members of “National Socialism/White Power” are merely reproducing what has already become a staple in our media diet. From the “real” videos of Chechens beheading Russian soldiers, Beslan, Daniel Pearl, Abu Ghraib, suicide bombings, and school and workplace shootings (and the media’s obsession over them) to the “fake” torture scenes of shows like 24 and other films, hasn’t the gap between the real and the fake long collapsed, making their distinction merely academic. What is important is the connection between politics and extreme violence, or really the use of extreme violence as political spectacle. […]

The Mighty Sparrow

2007-06-15T21:26:00.000-04:00

The Village Ram - Mighty Sparrow
Sell That Pussy - Mighty Sparrow

New Vinyl! I recently bought an excellent compilation by the king of calypso, his majesty the mighty Mighty Sparrow. Some of the tracks are a mixed bag. Generally 'best of' records never quite have the perfect mix. Yet it's fun to see, as a time capsule, what was considered the best of Mighty Sparrow in 1970. 'Jean and Dinah' makes sense but the addition of the slightly atonal 'sell that pussy' makes me smirk.

The first track 'Village Ram' opens with an excellant yowl/scream and the second track, 'sell that pussy' makes me cringe. in a good way.

*Mighty Sparrow: At His Best (Volume 1)
Arranged by Eddie Hooper

Dimi Mint Abba

2007-06-15T18:51:00.000-04:00

Mauritania My Beloved Country - Dimi Mint Abba
Unknown Iggawin

Dimi Mint Abba may not be a internationally well known as her World Circuit label mates Ali Farka Toure, Orchestra Baobab, etc or even Mauritanias new rising star Malouma. Yet Her place in Mauritanian music is almost as strong as Oum Kalthoum's in Egypt. An entire generation heard her music growing up, and Moors tend to speak of her with a nostalgic fondness and pride. I am posting an mp3 from the album 'Moorish Music from Mauritania' which in 1989 was the first studio quality recording of Moorish music by any artist from that country. the first. in 1989.

Her music, and Moorish music in general seems a bit of a cross between the now popular desert blues sound of Mali musicians and traditional arab song, with its emphasis on vocals. Many senegalese musicians are influenced by arab or moorish music, notably baba maal who grew up in Podor which lies on the river bordering the two nations. I saw baba maal play in Podor once, along with a friend who gave me the second song i am posting. The second track is a song by the traditional iggawin of my friends family, who sings songs about his family, caste, and ancestors. Its catchy in a way, with handclapping and alternating male and female vocals.

Galsene: Gaston Berger

2007-06-10T22:00:00.000-04:00

Université Gaston Berger de Saint-Louis, Senegal

Some Senegalese hiphop from a mix a friend made me. If you know who its by, let me know.

Rap galsene:
Galsene Track 5
Galsene Track 7

The Times did a heartbreaking piece on the crises of Africa’s universities, reposted here
They state that the failure of these institutions leaves the much needed abilities of its best and brightest untapped and creates “hotbeds of discontent” which:

“Far from being a tool of social mobility, the repository of a nation’s hopes for the future, Africa’s universities have instead become warehouses for a generation of young people for whom society has little use and who can expect to be just as poor as their uneducated parents.”

Indian pop.. etc

2007-06-10T18:20:00.000-04:00

Indian pop music..

Mohammed Rafi - Aaja Aaja Main
bollywood playback singer mohammed rafi has "performed an estimated 26,000 songs and was heard in 76 films". having spent a good part of my weekend sorting through hundreds of soundtracks this song is one of favorites.

Daler Mehndi - ek dana
bhangra from a popular sikh artist

Aadesh Srivastava - nach nach nach
this song is crazy and kind of goes everywhere.

& now for something completely different...

jackson c frank - you never wanted me
60's folk singer i ranted about before

Ali Farka Toure - la drogue
Ali Farka Toure - ali aoudy
Mali folk singer i ranted about before

Nobukazu Takemura - tuirirukabinbon
experimental japanese indie-pop

-a lot of these songs are around six minutes so they might take longer than usual to download.
-x-posted to various communities so let me know if i need to reload them

Eggs, spam, sausage, and spam

2007-06-10T18:18:00.000-04:00

"Eggs, spam, sausage, and spam from Adam: The Weblog.

The development of spam can be seen as an attempt on the part of spammers to push anti-spam filters toward ever more effective methods of recognizing spam and thus allowing genuine human communication to reach the user. In this sense, spam is necessary to the experience of e-mail in the Internet age -- seeing the vast number of messages summarily dispatched by the spam filter, we are reaffirmed in our belief that e-mail provides us always and only with desired communications: convenience-enhancing self-chosen bulletins and, more importantly, real human interaction. The automated refusal of the false intimacy of penis enlargement, call girls, and debt consolidation underwrites and guarantees the real intimacy that electronic communication has always promised.

Indeed, the very experience of the stray fugitive spam message as invasion serves to reinforce the illusion of the electronic medium as a privileged site of intimacy and privacy -- an illusion that is increasingly necessary as the model of security and surveillance comes to dominate what we once thought of as our public life. In this way, spam is the essence and condition of "cyberspace" itself as an adjunct of political control -- and, we may perhaps conjecture, as the possibility of future liberation."

- http://www.adamkotsko.com/weblog/
lol

Abddoullah's shop

2007-06-10T18:16:00.000-04:00

I miss hanging out at Abddoullah's shop drinking tea, smoking, talking, and listening to him complain about his "beautiful fat spoiled wife".

Musique!
Grâce à Mourad, i've been listening to a lot of arabic music which, being predominately vocal music, has made me start listening to singers singers singers..

Cesaria Evora - Petit Pays (Chateau Flight Remix) [ Morna Cape Verde wma ]Jaquel Brel - le Plat Pays [ Singer-Songwriter Belgium mp3 ]Mafalda Arnauth - Trova Escondida [ Fado Portugal wma ]Fairuz - Beirut hal Zarafat [ classical arabic Lebanon wma ]

Also my Chadian friends always used to play great cheesy low budget amharic pop videos when we hung out in their room and i found them on you tube!
Johnny Ragga - Abeshawi http://www.youtube.com/watch?v=XtQJSElMXAM
Johnny Ragga - Give Me the Key http://www.youtube.com/watch?v=WrtY61SirHs
Haimanot Girma - Khzeera http://www.youtube.com/watch?v=sLkTj9iowbI

The Amen Break

2007-06-10T18:09:00.000-04:00

The Amen Break

http://www.youtube.com/watch?v=5SaFTm2bcac

"This fascinating, brilliant 20-minute video narrates the history of the "Amen Break," a six-second drum sample from the b-side of a chart-topping single from 1969. This sample was used extensively in early hiphop and sample-based music, and became the basis for drum-and-bass and jungle music -- a six-second clip that spawned several entire subcultures. Nate Harrison's 2004 video is a meditation on the ownership of culture, the nature of art and creativity, and the history of a remarkable music clip. "

fun:
http://www.ecrans.fr/carte_blanche/nieto/art? a mouse being chopped in half?
http://www.gapminder.org/interesting and attractive presentation on global inequity

a mix called Al-Qaeda

2007-06-10T18:06:00.000-04:00

I made a mix called Al-Qaeda:
Air- Dead Bodies
Keller Williams - God is My Palm Pilot
Al Green - Full of Fire
Brian Eno - Burning Airlines Give You So Much More
Andrew W.K. - Ready to Die
Aesop Rock - Kill 'Em All
Sex Pistols - Submission
Moldy Peaches - NYC's Like Graveyard
Mazzy Star - Into Dust
The Flaming Lips - Feeling Yourself Disintegrate
Hefner - God is on my side
Tom Waits - I'll take NYC
Beat Happening - Godsend
Elvis Costello - Indoor Fireworks
Pavement - So Stark (You're a Skyscraper)

Its not meant to be funny so much as just kind of fuck-up the way you listen to music